In 2024, within the province of Bataan in the Philippines, a series of artworks emerged from a curious research on materials and their interactions with the inhabitants of the local ecosystem. This project, rooted deeply in the context of its surroundings, seeks to create touching points with the forces of decay, creating sites of observation and contemplation.

As a continuation of the initial series of fired vessels, this new series of sculptures delves into the transient qualities of clay. Utilizing unfired clay, soil, and various material combinations explored in previous studies, the resulting objects stand in stark contrast to water-resistant ceramics. These ephemeral sculptures, vulnerable to the elements, are perfectly suited to become homes for local wildlife. Their porous surfaces invite the growth of moss and fungi, creating a living, evolving exterior. As the clay erodes, it seamlessly integrates with the earth, enriching the soil. This natural degradation process enhances the sculptures' ability to support diverse forms of life, making them dynamic participants in their respective ecosystems. The sculptures thus embody the beauty of impermanence, offering a tangible connection to the cycles of decomposition and renewal.